Tag Archives: final cut

First Flight: Final Cut (Part 3)

Lunch has been eaten, 32 minutes of the Ricky Gervais HBO standup special has been watched. Let’s see how the render went.

Cool. I’m really impressed. I thought “I want the ‘driving in the car’ me to miraculously start talking as soon as the ‘voice over’ me stops” and by golly, that’s exactly what happens in the video. Even though I recorded those two elements completely separately.

I do want to the v/o to add an additional comment as soon as Car Guy resumes his silence. I’ll try the voice-over tool this time.

Cool…that was simple. It counted me down and everything, and when I clicked Stop, I could do some fine-tuning to make sure it came in precisely where I wanted it.

It didn’t precisely match the audio levels of the v/o I recorded in Quicktime Pro, though. Made a half-hearted attempt to adjust the new v/o manually but then simply tabbed back into QT, recorded those few seconds, and then dragged it into the timeline. Couldn’t have been simpler.

(I can see myself using the voice-over tool a LOT. I know you can add voice to clips in iMovie but it seems a lot more organic in FCE.)

I did have to re-render before I could see how the new audio integrated into the clip. But there’s an option for just rendering anything that needs it, so it was quick and painless. Like my recent tooth extraction, except Final Cut didn’t hand me a prescription for Vicodin afterwards.

I realize that I’m sort of doing this the wrong way. You’re supposed to throw together a rough cut and then start adding audio and transitions and text and whatnot. That way, you don’t even need to do a render until you’re nearly done.

But now that the intro is over, I need to start the actual edits. I’m a little bit stuck, but it’s for a good reason: I’ve seen enough of these tools to know that I can now create damned-near anything I want and I don’t know which choices will make for the best video.

Like, how best to do the “comparison” shots? In iMovie, I simply replayed the same shots over and over again, one after the other. In Final Cut Express, it’s no trouble to do a split-screen.

I don’t know if that’s the best choice. I think I ought to start with just a rough assembly of the “single camera” sequence of shots. Then I can replicate it from the Zi6 clips. At that point, I’m free to proceed however I want.

Or maybe it’d be better to create a new project just to screw around with things. It seems like it’d be simple to do a split-screen effect. I create a new proj…

Hmm. Why is it creating a new tab in my project window? If I have a wedding video business but I’m short on cash so I agree to edit a porno, is THAT table going to be sitting alongside the other projects?

I’ll worry about that later.

I decide to use the car door slam as my slate, to sync up the video between the two cameras. Easy as pie to set the start points of both videos. Drag the first vid into the timeline, drag in the second and tell FC “please overlay this”…easy.

So what I want to do is crop out the center 50% of the frame from the Mino, shove it over to the left, and fill the right side with the center 50% of the video from the Kodak. There’s a crop tool. It doesn’t seem to work.

Oh. I need to be in “wireframe” mode. When I saw it in the View menu I imagined that it only came into play when you’re importing…well, 3D models or something. But by cracky, now the video frame has handles, good ‘n’ proper.

Much further twiddling happens before I have one of those “Oh, it’s actually quite simple; the problem is that I’m an idiot.”

You can crop the frame by dragging the corners, or you can click into the “Motion” tab, go to the “Crop” parameter, and type in the number manually. You can move a frame around the screen the same way: mouse it, or just type in a number.

I had a hard number in mind for the crop (please take 25% off of either side) but didn’t know how to translate “please move the center of the frame so that it’s at the exact left (or right) edge” into a number. I overthought it.

Simple: just type a number for the cropping, and then slide the centerpoint manually.

This is a good example of the sort of thing I confront each and every time I test a new piece of tech. I’m perfectly OK with the realization that I’m just a damned idiot. Okay, correction: the reminder that I’m an idiot. It’s frustrating when you can’t make something work but when you find the answer and realize that it really did make some sort of sense all along, your initial frustration shouldn’t be held against the app.

I really do give these things plenty of opportunities to prove that I’ve got some sort of a bent chromosome or something. When I finally say “This thing is a piece of crap,” or “Whoever designed this didn’t know what the hell he was doing,” my arrogance is very hard-won.

I still don’t know what the numbers mean for “center.” If I type in “0” is that an explicit or a relative number? Would “-25” mean “to a point 25% to the left, relative to center” or would that mean “25 pixels away from Cartesian zero”?

At any rate: I won’t see the results until I render. Though the preview looks promising.

Smoke if you got ’em. “About 7 minutes left…” for the render.

First Flight: Final Cut Express (Part 2)

Damn. In iMovie, I can just tap the spacebar and see what the final video will look like. In Final Cut, I have to “render” the edit first…though I can scrub through it in the final video window.

Okay, well, if I’m going to sit through a render, I might as well make it worth it. I want the intro voiceover to go over the first bit of the first clip. I drag the audio file into the viewer and release it into the “Insert” hopper that pops up…it’s one of the several options available.

Awesome. Final Cut Express is already saving me time and more importantly letting me make the video I want to make instead of knucking under to iMovie’s limitations. The existing clip scoots over to the right in the timeline so that it doesn’t begin until the audio ends. The spot where I start talking in the clip comes after several minutes of ambient car noise. So now, it should be easy to merely extend the video clip backwards so that the video starts with the voice-over, and I start talking inside the car almost as soon as the v/o ends.

Hooo-kay, I know in the video that the tool I want is one of the three or four in the tool pallete next to the timeline. It uses what I assume to be classic film-cutting terminology…each tool icon depicts a Moviola-style pair of film reels in various postures.

I guess wrong on my first try so I go back to the tutorial video series. Ah! Okay, I want the “Ripple” tool. In the video, it’s described and shown as the thing you use to extend a clip so that it starts or ends in a different place.

Mmmm…no. It seems like I’m on the right track, but no. As it is right now, the 90-second voice over plays, with no accompanying video. Then the video kicks over to me inside the car, and I immediately start talking. I want to grab the left side of that clip and stretch it all the way back to the start of the voice-over so that the video begins 90 seconds sooner, but I still don’t start talking until the v/o is done.

What happens instead is that I still have no video until the end of the voice over…but now the video starts 90 seconds later. Damn and blast.

What the heck is wrong? Is FC stamping its feet because the video I want to extend is the first video clip in the whole thing?

I give up on logic and just randomly try the other editing tools. Ah! Okay. The fact that there was absolutely no video to the left made me think “extend the clip to the left,” ie, use the Ripple tool. In fact, I needed to use the “Roll” tool, which extends a clip by stealing time from the clip next door.

I was thinking “There is no video there to the left.” Final cut was thinking “There is indeed video to the left. It is a video of no video.”

Very Zen.

But it makes some sort of sense. My bad.

Now let’s render this clip and see what I did. I hope the audio is synced. Push the button, Frank…

“Estimate time: About 15 minutes…”

(Sigh.) Okay, breakfast.